Arab leadership: Will the real slim shady please stand up!

March 21, 2011

Where are the Arab leaders?

Where are the leaders of Arab nations? Who is dressed in the armor of Islamic righteousness? Who stands against their Muslim brothers who do evil? I don’t see them anywhere, do you?

Below, a little background music: Eminem, The Real Slim Shady

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Muslim unity has a LOUD hollow ring to it and it’s being heard – and discussed – around the world. Many centuries ago, Westerners learned that shared religious views are no substitute for cooperation backing up a firm will and commitment to effect positive change. Even when the different prayers of peoples are formulated with the same words, intentions and aspirations, religion is separate from statesmanship. If the two-faced Pan-Arab commentary and confusion continue, American and European empathy for the Pan-Arab cry for freedom, democracy and justice may wane, even disappear. Read the rest of this entry »


Geert Wilders’ two cent video, Fitna, is just a little smoke and mirrors

March 31, 2008

Is The Multiculturalism Project Dead?

Today, I had a chance to see Geert Wilders’ so-called movie, Fitna. Apparently, it came out during my Easter pilgrimage to Bucovina.

If you haven’t seen Fitna, play it below.

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Almost a month ago, I said this about Geert Wilders. That was before Fitna was released. Below is my reflection after the release of Fitna.

Although the short video clip (let’s not call this a movie, shall we!) does not seem as contentious as Wilders’ politically incorrect manner of speaking and writing, Fitna exaggerates problems, misunderstandings and concerns with an oily, underhanded, used-car salesman’s approach – and a very sophisticated mastery of subtle, misleading suggestions.

Background music for your reading pleasure: Radiohead, Creep. Play it below.

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What this video clip (Fitna) provides is a compelling opportunity for plain clothes Europeans (not academics of the ivory towers) to evaluate the tenets of political correctness, multiculturalism, and cultural relativity. Europeans must answer some big questions for themselves. For example, do these ideological constructions (political correctness and multiculturalism) adequately reflect the things needed to further pursue the course of human freedom within the context of European cultural identity and aspirations?

Unlike Americans, Europeans have never been ones to allow their freedom of speech to be regulated by the self-proclaimed, American-imported demagogues of political correctness.

Americans, however, remain bound by a Christian humility and humanism AND a Victorian sense of correctness and virtue. These things derive from our European protestant roots and the English-Victorian influences that came to define the aspirations of the American middle class. In other words, certain forms of social thinking and action are built-in in America and make it difficult for us to succeed in any kind of critical re-examination.

MLK, Jr., for example, would never have moved the European heart. Europeans, in general, would have never have accepted his accusations of complicity to the degree that they would feel personally compelled to overcome their own sense of bigotry and racism. This, however, does not mean that European civilization is somehow inferior to American civilization. What I hope to illustrate by this example is that MLK, Jr. represents a dogma which leads Americans to certain conclusions to which Europeans are not bound. Read the rest of this entry »


Geert Wilders, Bigotry and Human Conflict

March 4, 2008

Notes from a Patsak (before the release of Wilder’s film):

Geert Wilders is just a noisy bigot whose pastey face barely escapes his neck. Why would anyone take him seriously? Regardless of the controversy, we must remember that bigotry and conflict only serve those who oppose the transparency and self-examination that is generally demanded of government and politics in times of peace and progress.

Relevant to this discussion is an interesting video from moby that you may have not have understood.

Now, here’s the hints: the old dude is Uncle Sam, the chicken factory is the Middle East, the factory workers represent Masad and CIA operatives, the store is Europe and the store employee is an Asian immigrant. The chicken (protagonist) represents Hamas, the slaughtered chickens are Palestinians, and Uncle Sam’s body guard, obviously, Homeland and FBI. Democracy and freedom are represented by the female vocalist. The knife used to kill Uncle Sam is a metaphor for Israeli lobbyists and the Media. And the barbeque sauce is sweet crude.

The babes and cash are what they are, babes and cash. This is what it’s all about. The bottomline, baby!

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Note: The views reflected in the above interpretation of moby’s video, Disco Lies, are represented here for the purpose of humorous relief from a European perspective; such interpretations are not meant to be taken as truth or suggestions.
Read the rest of this entry »


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